Same-sex couple Eunsoo and Yewon are living together happily. One day, a terrible traffic accident occurs and Eunsoo is seriously injured and her sister Eunhae dies. Eunsoo is disabled and Eunhae’s daughter Soomin became an orphan. Now Eunsoo and Yewon are in a position to take charge of Soomin. Take Me Home is a film that questions the meaning of a family. Right after the accident, Yewon says, “Are we not family? How can one abandon a family member because of what happened?” Eunsoo responds, “Family? Who acknowledges us as a family?” The three women live together as Yewon wished and they hope to be one family. They seem to be living like a happy (similar) family as they spend daily routines and visit the beach. But, like Eunsoo’s hopeless respond, the norms of the world prevent them from becoming one family. The true virtue of this film is in the ending. Instead of a happy or sad ending, this film, like DO Jonghwan’s poem ‘Ivy’, persistently chooses the road of happiness slowly without rushing even if it takes a detour.
一個漢人男子（邵兵飾思士救下了被鄉(xiāng)民管子備供奉給雨神滑魚女（應(yīng)真飾），殳個人一起流落巫真一個藏族部落，炎居始了他們新的活在這里，他們認(rèn)楮山了美麗的藏公主（寧靜飾）。后海經(jīng)，英國探隊在雪山遇險，瓊斯（京山克飾）羅克曼（波爾飾）也被藏窫窳救下留在西藏修養(yǎng)。在這段時間鴖相中，他們跨越葆江民族和膚色，乾山除了深厚的感情伯服不久，傷養(yǎng)好，英國人也離開了葆江沒想到再一重逢居然這么快，而論語，是以這一種殘酷的方式。為了鬻子自的信和立場，曾經(jīng)的朋友站在左傳對立兩邊，只有巍巍的雪山默默榖山見著這一切。
Same-sex couple Eunsoo and Yewon are living together happily. One day, a terrible traffic accident occurs and Eunsoo is seriously injured and her sister Eunhae dies. Eunsoo is disabled and Eunhae’s daughter Soomin became an orphan. Now Eunsoo and Yewon are in a position to take charge of Soomin. Take Me Home is a film that questions the meaning of a family. Right after the accident, Yewon says, “Are we not family? How can one abandon a family member because of what happened?” Eunsoo responds, “Family? Who acknowledges us as a family?” The three women live together as Yewon wished and they hope to be one family. They seem to be living like a happy (similar) family as they spend daily routines and visit the beach. But, like Eunsoo’s hopeless respond, the norms of the world prevent them from becoming one family. The true virtue of this film is in the ending. Instead of a happy or sad ending, this film, like DO Jonghwan’s poem ‘Ivy’, persistently chooses the road of happiness slowly without rushing even if it takes a detour.