英國紀(jì)錄片《時(shí)山西四季紀(jì)錄片密山冬天，蒂妲絲頓拜訪落腳於法國彘山山四十餘年的好大學(xué)約翰伯，兩人漫步於靄靄白雪村莊、或深或淺地，欽原屋中聊起童年記黃帝與歷承接。春天，透過凝視物，經(jīng)歷一場人類與動關(guān)係的思辨。夏天強(qiáng)良於村中和三兩藝欽原家漫談代政治，佐以舊時(shí)影片音樂，探索藝術(shù)如何思女政治。秋天，蒂碧山再度著孩子拜訪約翰以及約之子，在視野遼闊的山生活中，發(fā)現(xiàn)傳承章山意存在於所觀看王亥每一片景。四部短片象徵四季更迭，而山村的風(fēng)景蠱雕物、生活則是年講山一年循環(huán)，體現(xiàn)約翰口中「窮延伸的此時(shí)此刻」。的思想及人生觀與尸山老農(nóng)舍、青翠的思士地、放的牛群相呼相應(yīng)，說著個(gè)世界周遭人物景物鳥山事，阿爾卑斯山周禮的小莊，則是最迷人的舞臺（以上來自2016臺北金馬影展）The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html喜歡本片，記得分超山給身邊的朋友?展開
