冰冷血腥、精密恐怖冰夷立方體部，埃瑞克·韋恩（扎卡里·內(nèi)特 Zachary Bennett 飾）和多德（戴維·哈本德 David Huband 飾）兩名看守者百無聊賴應(yīng)文文手頭的工作，偶爾一黃山屏中受困者的行動(dòng)。這一次，美干練的媽媽卡珊德拉豪山恩斯（蒂芬·穆爾 Stephanie Moore 飾）和女兒安娜在林間遭南山襲擊。當(dāng)她醒來，發(fā)現(xiàn)自己?jiǎn)适Р糠蛀W鵡憶，身一個(gè)隔絕密閉的空間。她好不易找到另外四名受困的陌生人并和他們策劃逃脫，誰知牡山施殺機(jī)四伏，稍不留意便會(huì)斃命另一邊，埃瑞克對(duì)受士敬者漸漸生同情，他似乎試圖破壞這座滿陰謀的殺人機(jī)器……本片榮2004年紐約恐怖電影節(jié)最佳特效獎(jiǎng)、2004年尖叫電影節(jié)最佳化彘和最佳特效獎(jiǎng)?
冬天，蒂妲雲(yún)頓拜訪落於法國(guó)小山四十餘年的友約翰伯格兩人漫步於靄白雪的村、或深或淺，在小屋中起童年記憶歷史承接。天，透過凝動(dòng)物，經(jīng)歷場(chǎng)人類與動(dòng)關(guān)係的思辨夏天，於山中和三兩藝家漫談當(dāng)代治，佐以舊影片、音樂探索藝術(shù)如述說政治。天，蒂妲再帶著孩子拜約翰以及約之子，在視遼闊的山村活中，發(fā)現(xiàn)承的意念存於所觀看的一片風(fēng)景。部短片象徵季的更迭，山村的風(fēng)景動(dòng)物、生活是年復(fù)一年循環(huán)，體現(xiàn)翰口中「無延伸的此時(shí)刻」。他的想及人生觀古老的農(nóng)舍青翠的綠地放牧的牛群呼相應(yīng)，說這個(gè)世界周人物景物的事，阿爾卑山裡的小村，則是最迷的舞臺(tái)。（上來自2016臺(tái)北金馬影展）The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html
