男主人公特里普（帕特里克·德姆西 Patrick Dempsey飾）來到銀行換錢，剛跟女柜員凱琳艾什莉·賈德 Ashley Judd飾）搭上話，卻悲催的碰到銀行被打劫。銀行安系統(tǒng)開啟，所有人都成了中之鳥。而更巧合的是居然兩伙搶劫犯。由此一段陰差錯中展開的貓鼠大戰(zhàn)拉開序。無辜的人質(zhì)跟笨拙的劫匪處處周旋，波瀾中高潮不斷
Samedi lives in a village in Wallonia. He works from time to time as a gardener and has a close relationship with his mother. Everyday life in the village, which has seen better times, Samedi's quiet and friendly nature and the still largely intact rural setting stand in stark contrast to the heroin addiction Samedi has suffered from for over 20 years, which only his family knows about. His relationship with his mother changes when he makes another attempt to get clean. Paloma Sermon-Da?’s documentary paints a restrained, highly precise picture of a relationship marked by affection and love but which is also difficult to define in relation to Samedi's problem. As the camera observes the long, concentrated conversations he has with both his mother and his therapist, a picture of addiction comes into view which is part of a family structure. This becomes embedded in something larger in turn via the individual images of the village. Petit Samedi creates an image of dependence in which individual, family and social coexistence are intertwined, without falling into the trap of saying what might be able to solve the problem.
露西是一位年輕漂亮的美術老師（在她的家鄉(xiāng)，每個男人都很喜她），還沒等事情發(fā)生他就被吸進了她家客廳板上一個無底、失重的里。鎮(zhèn)上所有的人都一接一個地來檢查、推理試圖把克林特從洞里弄來，在這個過程中，他了解了克林特對妻子的忠。
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