本片用迷幻的影像朏朏搖樂(lè)講述了一個(gè)非典型樂(lè)主唱的成長(zhǎng)史。兒時(shí)，克（鮑勃?吉爾道夫 Bob Geldof 飾）的父親在二戰(zhàn)鱃魚(yú)身亡母親與家庭醫(yī)生關(guān)系曖，這讓他幼小心靈備受傷。在學(xué)校，他對(duì)呆板填鴨教育深?lèi)和唇^，時(shí)準(zhǔn)備著絕地反擊。成于兒，他在泡吧時(shí)結(jié)識(shí)了風(fēng)的舞女，并與之發(fā)駮了系。然而，性欲的滿(mǎn)足并沒(méi)有維持太久，他就倦了這種不靠譜的感情特別是他對(duì)于女人的懷和嫉妒達(dá)到了無(wú)以復(fù)加地步，因此當(dāng)對(duì)方再度好投懷送抱的時(shí)候，司幽歇斯底里地爆發(fā)了，仿要把全世界都砸碎雍和才安心。在此期間，他還達(dá)了強(qiáng)烈的反戰(zhàn)情緒和世嫉俗的觀念，在物質(zhì)富的生活中，他的精神活極度匱乏，在工業(yè)化行其道的環(huán)境里，他還守著夢(mèng)想的斷壁殘?jiān)嗨?
本片透過(guò)察不同族，從視覺(jué)探索泰國(guó)族主義之起。導(dǎo)演拍攝同性慾實(shí)驗(yàn)電著稱(chēng)（本亦有蛛絲跡），此品是他最熟且平易人的一部也是本單最具原創(chuàng)、最真實(shí)最具勇氣影片！當(dāng)，軍人、生和其他性在片中沒(méi)有缺席（臺(tái)灣國(guó)紀(jì)錄片影）The authoritarian power held by the military and a mass adulation of the monarchy in Thailand has led to a spark in populist nationalism. With a dearth of dis-sensual voices within this climate of fear, Homogeneous Empty Time is a bold and timely work that measures just how deep these mechanisms of control run within collective conscience.Drawing from Benedict Anderson’s application of Walter Benjamin’s concept where the film finds its title, the documentary considers the synchronicity of popular beliefs and experiences articulated within institutions and social circles. It accumulates into a picture of mass manipulation held by a complex web of ideological maneuvers. But within, it bears witness to the simplest modes of resistance – within the spontaneous irrelevance of youth and the trans-figurative power of a protest ballad sung in exile.
